{"id":7548,"date":"2024-04-03T20:02:24","date_gmt":"2024-04-03T18:02:24","guid":{"rendered":"https:\/\/www.shakespearefestival.online\/?post_type=tribe_events&p=7548"},"modified":"2024-04-24T12:45:15","modified_gmt":"2024-04-24T09:45:15","slug":"regele-lear-regia-mihai-tarna-teatrul-eugen-ionesco-chisinau","status":"publish","type":"tribe_events","link":"https:\/\/www.archive.shakespearefestival.online\/en\/eveniment\/regele-lear-regia-mihai-tarna-teatrul-eugen-ionesco-chisinau\/","title":{"rendered":"KING LEAR - DIRECTED BY MIHAI \u0218AR\u0102N - EUGEN IONESCO THEATER CHISINAU"},"content":{"rendered":"
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King Lear<\/h1>

By William Shakespeare<\/p>

Translator: George Volceanov and Mihnea Gheorghiu<\/p>

Text adaptation: Mihai \u0218arn\u0103<\/p>

Company name<\/b>: National Theater Eug\u00e8ne Ionesco\u00a0<\/p>

Company country<\/b>: Republic of Moldova<\/p>

Director<\/b>: Mihai \u0218arna<\/p>

Distribution<\/b>:<\/p>

Petru Vutcarau - King Lear<\/p>

Doina Arvat \u2013 Goneril<\/p>

Maxim Chiriac \u2013 Duke of Albany<\/p>

Iuliana Vornicescu-Cotrobai \u2013 Regan<\/p>

Petru Dragancea \u2013 Duke of Cornwall<\/p>

Valeria Gar\u021ban \u2013 Cordelia<\/p>

Silviu Boinceanu \u2013 King of France\u00a0<\/p>

Stanislav Cotrobai \u2013 Duke of Burgundy<\/p>

Laurentiu Vutcarau \u2013 Oswald<\/p>

Gheorghe Petraru \u2013 Count of Gloucester\u00a0
Alexandru Berbinschi \u2013 Edgar
Bogdan B\u00eetlan \u2013 Edmund
Anatoli Guzic \u2013 The Jester of King Lear
Iurie Pascar, Marius-C\u0103t\u0103lin Tulum, Nicolae Neghin, Stanislav Cotrobai, Silviu Boinceanu, Sergiu Cojocaru, Alexandru Vinocurov, Dorin B\u00eetc\u0103, Daniel Bost\u0103nic\u0103, Ion Bivol \u2013 Figuration<\/p>

The creative team<\/b>:<\/p>

Head of production: Ludmila Furdui<\/p>

Costumes: Inga Botnariuc<\/p>

Music: Alexandru Dicusear[<\/p>

Hairdresser: Nicolae Ponomarenco\u00a0<\/p>

Special effects: Victor Zburlic<\/p>

Makeup: Mariana Golovca<\/p>

Lights: Vadim Eremia<\/p>

Sound: Cristian Patras<\/p>

Decoration making: Dionise Cosisceanu<\/p>

Furniture\/Accessories: Artur Furdui<\/p>

Stage fights: Oleg Mardari<\/p>

Show synopsis<\/b>:<\/p>

The play King Lear is about the lullaby that was not sung in its time\u2026<\/p>

Once Lear renounces the crown the play begins to tell us about the degradation of the world, but before its disappearance, this world exists with its hierarchy, its beliefs, its rituals, its ceremonies in the relations between power and the king's clan, between legitimate marriages and adultery, between legitimate children and bastards. Two histories go hand in hand \u2013 that of Lear and that of Gloucester.<\/p>

For them, everything around is nothing but the incomprehensible sounds of a vanished world.<\/p>

All characters become bleeding trunks, branchless, rootless, crippled orphans. Human trunks that refuse to accept the absurdity of the world where life is lived to give life, kill and die. The brother will leave the brother he killed and there will be no other king.\u00a0<\/p>

When Lear loses his mind, he meets the blind Gloucester. These two human trunks already know everything there is to know about themselves and the world. Gloucester hugs and kisses Lear's boots, perhaps as a last reminder of the world that once existed\u2026<\/p>

Nominations and\/or show awards<\/b>:<\/p>

"Best Show in the Festival" - "International Black Sea Theater Festival", 5-25 May 2022, Trabzon, Turkey<\/p>

Company description<\/b>:<\/p>

The Eug\u00e8ne Ionesco National Theater (TNEI), founded in 1991 by a group of enthusiastic young actors, led by Petru Vutcarau, all graduates of the B. Shchiukin Higher Theater School in Moscow, has a complex repertoire and includes pieces from classical and modern drama . Exploring new approaches, the performances are produced in a non-traditional, unusual manner, including in the style of the theater of the absurd. In its more than 30-year history, the Theater has participated in numerous European performing arts festivals, including the Avignon Theater Festival (France) and toured around the world (England, Egypt, Estonia, France, Georgia, Hungary, Italy, Japan, Pakistan, Poland, Romania, Russia, Spain, Turkey, Ukraine, etc.). The cooperation of more than 30 years with the Japanese Theater Company Hachimaru 1980, which includes co-productions and actor exchanges, is a unique experience in the European cultural space.<\/p>

Starting with 1994, TNEI organizes the International Biennial Festival of Scenic Arts of<\/p>

Eug\u00e8ne Ionesco Theater (BITEI), which in its editions hosted theater and performing arts companies from over 15 countries. BITEI received in 2014 the special prize for major cultural achievements of the European Cultural Forum.<\/p>

Director biography<\/b>:<\/p>

Mihai \u021a\u0103rn\u0103, born in 1971, graduated from the Faculty of Acting and obtained a master's degree in theater direction at the Academy of Arts in Chisinau, Moldova. In 2001, he began a film directing journey at the International Film School in Paris, France, where he worked as the Head of the Acting Department until 2022. As a theater director, Mihai \u0218\u0103rn\u0103 staged over 45 shows in France, Moldova , Romania, Spain and Ukraine. Shakespeare's plays occupy a special place in his director's portfolio: 2022 - Macbeth, 2021 - King Lear, 2020 - And be silent, 2019 - The Tempest, 2013 - 12 Whispers in the 12th Night. Since 2017, Mihai \u021a\u0103rn\u0103 has been the head director of the Nameless Theater in Chisinau, Moldova, which continues to be proof of his passion and dedication to his job. His film directorial portfolio includes: 2018 - "Forgotten or Beyond Us", 2017 - "...ogma", 2016 - "Resilience" (5 official selections and the award for the best short film at the Hong Kong International Film Festival ), 2011\/2012 \u2013 "Trilogy" (Cannes Film Festival 2012, presented at Cinecitt\u00e0, Italy).<\/p>

Show duration<\/b>: 3h 35 minute (cu pauz\u0103)<\/p>

Special mentions show<\/b>: For audiences over 16<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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