{"id":7210,"date":"2024-04-02T23:56:33","date_gmt":"2024-04-02T21:56:33","guid":{"rendered":"https:\/\/www.shakespearefestival.online\/?post_type=events&#038;p=7210"},"modified":"2024-04-09T08:49:13","modified_gmt":"2024-04-09T05:49:13","slug":"timpuri-noi","status":"publish","type":"events","link":"https:\/\/www.archive.shakespearefestival.online\/en\/events\/timpuri-noi\/","title":{"rendered":"New Times"},"content":{"rendered":"<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/ebilet.tncms.ro\/ebilet\/Spectacol\/Edit\/1605\" target=\"_blank\" rel=\"noreferrer noopener\">Buy ticket day 10 Shakespeare Village<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u00cenceputuri<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">De la \u00eenfiin\u021bare p\u00een\u0103 \u00een 1991, Timpuri Noi a fost ceea ce se nume\u0219te o trup\u0103 underground, \u00een special datorit\u0103 versurilor \u0219i subiectelor abordate \u00een piese, considerate subversive de c\u0103tre regimul comunist. Trupa era interzis\u0103 la radio \u0219i tv, iar cluburile care \u00eei g\u0103zduiau riscau s\u0103 fie \u00eenchise, dup\u0103 cum spunea Dan Iliescu \u00eentr-un interviu radio \u00een 1997.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dup\u0103 1989<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dup\u0103 1989 \u0219i c\u0103derea comunismului, Timpuri Noi \u00eencepe s\u0103 \u00ee\u0219i fac\u0103 loc \u00een curentul principal al perioadei. Anii 1994 \u0219i 1995 sunt cei mai de succes pentru Timpuri Noi, trupa fiind descoperit\u0103 \u0219i apreciata deopotriv\u0103 de media \u0219i de tineret.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Forma\u021bia a fost prezent\u0103 la toate edi\u021biile festivalului Rock Bucuresti, av\u00eend onoarea s\u0103 deschid\u0103 recitalurile unor nume importante cum ar fi: Ian Gillan \u0219i Uriah Heep (1992), Asia \u0219i Scorpions (1993), Saxon, Paradise Lost \u0219i Jethro Tull (1994), Iron Maiden \u0219i Kreator (1995). Pe data de 20 mai 1994 Timpuri Noi este prima forma\u021bie din Rom\u00e2nia care apare unplugged \u00eentr-un spectacol la Teatrul Ion Creang\u0103 din Bucure\u0219ti (eveniment inregistrat \u0219i lansat apoi pe caset\u0103).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen 1995 Timpuri Noi particip\u0103 la festivalul RockMania, de pe Stadionul Na\u021bional, \u00een care au c\u00eentat \u00een deschidere pentru Eros Ramazzotti, Joe Cocker \u0219i Rod Stewart.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen 1996 recitalul la Festivalul Cerbul de Aur beneficiaz\u0103 de o regie \u0219i o scenografie pu\u021bin obi\u0219nuite \u00een peisajul apari\u021biilor rock din Rom\u00e2nia, \u0219i care s-a ridicat la standardele interna\u021bionale.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen 1997 \u00een cadrul concursului Decouvertes de Rock a l\u2019Est, organizat de Radio France Internationale, \u00een colaborare cu MCM, Timpuri Noi concerteaz\u0103 la gala laurea\u021bilor al\u0103turi de de alte trei c\u00ee\u0219tig\u0103toare ale concursului, care a reunit la start peste 260 de trupe din 23 de \u021b\u0103ri din Europa de Est. Aceast\u0103 ocazie marcheaz\u0103 \u0219i un record: prima trupa rom\u00e2neasc\u0103 ce are un videoclip difuzat de posturile interna\u021bionale MCM \u0219i MTV Europe. Clipul a beneficiat de pu\u021bine difuz\u0103ri, pentru c\u0103 arti\u0219tii au refuzat s\u0103 fac\u0103 o pies\u0103 \u00een englez\u0103 sau francez\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen total, Timpuri Noi a ap\u0103rut, \u00een anii 1994-1997, \u00een mai mult de 150 de spectacole. Totodat\u0103, Timpuri Noi a participat \u0219i la spectacole non-profit, ale c\u0103ror beneficii au fost donate \u00een scopuri caritabile.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NATO \u0219i MediaPromusic<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen 1997 forma\u021bia a realizat \u00een colaborare cu Pro TV un videoclip cu piesa \u2018Maricica\u2019, care s-a bucurat de un buget impresionant \u0219i care a fost o prezentare a pozi\u021biei populare vizavi de eventuala intrare a Rom\u00e2niei \u00een NATO. Piesa marcheaz\u0103 schimbarea casei de discuri, de la VIVO la MediaPro Music.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La sf\u00eer\u0219itul anului 1997 postul de basist este ocupat de C\u0103t\u0103lin R\u0103zvan. \u00cen aceast\u0103 formul\u0103, Timpuri Noi termin\u0103 de \u00eenregistrat la \u00eenceputul anului 1998 un nou album \u201eBasca abunden\u021bei\u201d. Albumul este bine primit de public \u0219i are o expunere media larg\u0103, \u00een special pe Pro TV \u0219i ProFM, datorit\u0103 piesei \u201cStar Station\u201d, compus\u0103 special pentru postul radio.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Desp\u0103r\u021birea<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Trupa se desparte \u00een anul 2001. \u00centr-un \u00eenterviu acordat Heavy Metal Magazin \u00een 2002, Dan Iliescu dezv\u0103luie motivul: disensiunile financiare \u00eentre Iliescu \u0219i restul membrilor, Iliescu consider\u00e2nd c\u0103 un artist trebuie s\u0103 c\u00e2\u0219tige bani doar din muzic\u0103, nu \u0219i din activit\u0103\u021bi conexe. Ceilal\u021bi membri aveau \u0219i joburi normale, Iliescu repro\u0219\u00e2ndu-le c\u0103 se ocup\u0103 mai mult de asta dec\u00e2t de muzic\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Artan \u00eenfiinteaz\u0103 forma\u021bia Partizan, cu care realizeaz\u0103 albumul \u201eAm cu ce\u201d \u00een prim\u0103vara lui 2002, iar Dan formeaz\u0103 ZIDD, o trup\u0103 \u00een care el c\u00eent\u0103 vocal \u0219i chitar\u0103. Partizan se bucura de un succes efemer cu piesa \u201cFata mea\u201d, Zidd r\u0103m\u00e2n\u00e2nd pu\u021bin cunoscu\u021bi publicului. Cele dou\u0103 trupe au via\u021b\u0103 scurt\u0103, iar Artan revine la Timpuri noi \u00een 2004.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Back in Business \u0219i plecarea lui Artan<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Timpuri Noi revin \u00een 2006 cu un nou album, \u201eBack in Business\u201d. Discul con\u021bine 4 piese noi, 6 piese vechi reinterpretate \u0219i 7 remixuri. Se filmeaz\u0103 un videoclip pentru piesa \u201eUmbrela\u201d, urmat de unul pentru piesa \u201eTata\u201d, am\u00e2ndou\u0103 fiind rulate sporadic la posturile tv de muzic\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Trupa \u00ee\u0219i reia concertele prin cluburi, fiind \u00een continuare o trup\u0103 f\u0103r\u0103 un deosebit succes comercial. \u00cen mai 2007 realizeaz\u0103 o pies\u0103 pentru revista FHM, intitulat\u0103 \u201ePentru c\u0103 noi putem\u201d, \u00eenregistreaz\u0103 o nou imn pentru PROFM \u201eTe chem\u201d, iar \u00een vara lui 2009 lanseaz\u0103 piesa \u201eHitu\u201d, de aceasta data pentru Radio Guerrilla.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen 2009, Artan p\u0103r\u0103se\u0219te forma\u021bia definitiv \u0219i pune pe picioare din nou trupa Partizan, \u00eempreun\u0103 cu R\u0103zvan Moldovan \u0219i al\u021bi doi membri, interpret\u00e2nd melodii din repertoriul Timpuri Noi \u0219i crea\u021bii proprii.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cu un suflu nou, \u00een luna iunie 2010 Timpuri Noi se relanseaz\u0103 \u00een formula Dan Iliescu (chitar\u0103, voce), Tica Alexe (vocal), Vlady S\u0103teanu (bass), Andrei B\u0103rbulescu (tobe) \u0219i Florin Tuliga (programming). Aceast\u0103 componen\u021b\u0103 rezist\u0103 p\u00e2n\u0103 la finalul lunii august 2010, B\u0103rbulescu, S\u0103teanu \u0219i Tuliga p\u0103r\u0103sesc trupa, fiind \u00eenlocui\u021bi de Felix Sfura (tobe) \u0219i Sabin Penea (bas, vioar\u0103), formul\u0103 \u00een care sus\u021bin concerte \u00een \u021bar\u0103 \u00een preg\u0103tirea unui album ce va fi lansat in 2012.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pe 9 octombrie 2011, C\u0103t\u0103lin Neagu, primul tobo\u0219ar al trupei, a decedat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pe 10 mai 2012 se lanseaz\u0103 la Club A albumul Deschide-\u021bi mintea!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cencep\u00e2nd cu anul 2015, forma\u021biile Timpuri Noi \u0219i Partizan \u00eencep s\u0103 sus\u021bin\u0103 mai multe concerte \u00eempreun\u0103 prin \u021bar\u0103. Concertele sunt foarte apreciate.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Componen\u021ba trupei<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nucleul trupei a fost \u00eentotdeauna format din Dan Iliescu \u0219i Adrian Ple\u0219ca (Artan), ceilal\u021bi membri schimb\u00e2ndu-se periodic.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen 1992 trupa era alc\u0103tuit\u0103 din Dan Iliescu (chitar\u0103, voce), Adrian Ple\u0219ca \u2013 Artan (vocal), Adrian Bor\u021bun (bas), Marian Moldoveanu (chitar\u0103), C\u0103t\u0103lin Neagu (tobe). \u00cen 1997 Adrian Bor\u021bun pleac\u0103, fiind \u00eenlocuit de C\u0103t\u0103lin R\u0103svan. La concerte sunt cooptate dou\u0103 fete, pentru voce \u0219i vioar\u0103. Printre vocalistele trupei s-au num\u0103rat Denis Iliescu, Crina Godescu \u0219i Maria Radu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La finele anului 2009 Artan p\u0103r\u0103se\u0219te Timpuri Noi \u0219i este \u00eenlocuit de Tic\u0103 Alexe.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cencepand cu 2010, trupa este format\u0103 din Dan Iliescu (chitar\u0103, voce), Tica Alexe (vocal), Vlady S\u0103teanu (bas), Andrei B\u0103rbulescu (tobe) \u0219i Florin Tuliga (programator). Aceasta formul\u0103 rezist\u0103 p\u00e2n\u0103 la finalul lunii august 2010.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen 2011 Felix Sfura (tobe) \u0219i Sabin Penea (bas, vioar\u0103) se al\u0103tur\u0103 forma\u021biei, care lanseaz\u0103 melodia \u201eE loc\u201d, cu puternice influen\u021be reggae.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen anul 2014, Sabin Penea p\u0103r\u0103se\u0219te forma\u021bia \u0219i este \u00eenlocuit de Alex V\u00e2\u0219can (bas, voce).<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1006\" height=\"1024\" data-id=\"8402\" src=\"https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Dan-1006x1024.jpg\" alt=\"\" class=\"wp-image-8402\" srcset=\"https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Dan-1006x1024.jpg 1006w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Dan-295x300.jpg 295w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Dan-768x782.jpg 768w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Dan-1509x1536.jpg 1509w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Dan-600x611.jpg 600w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Dan.jpg 1811w\" sizes=\"(max-width: 1006px) 100vw, 1006px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"8400\" src=\"https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Felix-1024x683.jpg\" alt=\"\" class=\"wp-image-8400\" srcset=\"https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Felix-1024x683.jpg 1024w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Felix-300x200.jpg 300w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Felix-768x512.jpg 768w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Felix-1536x1024.jpg 1536w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Felix-600x400.jpg 600w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Felix.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"576\" height=\"1024\" data-id=\"8401\" src=\"https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Vlad-576x1024.jpg\" alt=\"\" class=\"wp-image-8401\" srcset=\"https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Vlad-576x1024.jpg 576w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Vlad-169x300.jpg 169w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Vlad-768x1365.jpg 768w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Vlad-864x1536.jpg 864w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Vlad-1152x2048.jpg 1152w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Vlad-600x1067.jpg 600w, https:\/\/www.archive.shakespearefestival.online\/wp-content\/uploads\/2024\/04\/Vlad.jpg 1179w\" sizes=\"(max-width: 576px) 100vw, 576px\" \/><\/figure>\n<\/figure>","protected":false},"excerpt":{"rendered":"<p>\u00cenceputuri De la \u00eenfiin\u021bare p\u00een\u0103 \u00een 1991, Timpuri Noi a fost ceea ce se nume\u0219te o trup\u0103 underground, \u00een special datorit\u0103 versurilor \u0219i subiectelor abordate \u00een piese, considerate subversive de [&hellip;]<\/p>\n","protected":false},"featured_media":0,"menu_order":0,"template":"","events_category":[30],"class_list":["post-7210","events","type-events","status-publish","hentry","events_category-village"],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.archive.shakespearefestival.online\/en\/wp-json\/wp\/v2\/events\/7210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.archive.shakespearefestival.online\/en\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/www.archive.shakespearefestival.online\/en\/wp-json\/wp\/v2\/types\/events"}],"version-history":[{"count":3,"href":"https:\/\/www.archive.shakespearefestival.online\/en\/wp-json\/wp\/v2\/events\/7210\/revisions"}],"predecessor-version":[{"id":8403,"href":"https:\/\/www.archive.shakespearefestival.online\/en\/wp-json\/wp\/v2\/events\/7210\/revisions\/8403"}],"wp:attachment":[{"href":"https:\/\/www.archive.shakespearefestival.online\/en\/wp-json\/wp\/v2\/media?parent=7210"}],"wp:term":[{"taxonomy":"events_category","embeddable":true,"href":"https:\/\/www.archive.shakespearefestival.online\/en\/wp-json\/wp\/v2\/events_category?post=7210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}